Eilon Morris is an independent scholar and practitioner, active in publishing, teaching and performing across the UK and internationally. Currently based in Glasgow, Eilon works as a theatre practitioner, percussionist and educator. He recently published, Rhythm in Acting and Performance: Embodied Approaches and Understandings (Methuen Drama, 2017), building on his PhD research, completed at the University of Huddersfield (2013).
As a professional performer Eilon has worked with numerous companies and ensembles over the last twenty years in Australia, UK, France, Greece and Mexico. Currently, he is a core member of DUENDE and OBRA Theatre Company and an associate artist at Whitestone Arts and an associate researcher at the Centre for Psychophysical Performance Research. He was a founding member of the Quiddity Ensemble (2001-2004) and the Butterfly Club Pocket Theatre (1998-2002) in Melbourne Australia, and since relocating to the UK in 2004, has worked on productions including Lord of the Flies (BBC Radio Drama), These Trees are Made of Blood (Southwark Playhouse and Arcola Theatre), Gaudete (Lowery), Le Voyage dans la Lune (BFI), It’s Like He’s Knocking (Unfinished Business, Warwick Art Centre), Electric Field (IOU), Shattering Man (DUENDE), and Rhein (Royal Festival Hall), as well as touring and recording with music groups including Stems and Kelter.